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• The movie had been billed as a throwback to the action flicks of the 1980s, but that pitch turns out to be false advertising.

• Christian Science Monitor

  1/3/2011 by Peter Rainer

  The rest of the mayhem is simply ultraviolent, nonstop, and numbing. Better jokes might have helped.
• If you like watching men with no necks thumping each other, this could be your Citizen Kane.
• Stallone's boasted that he's made the drunk uncle of all dumb action movies and in several ways he has
• What you will find is both familiar in its contours and unique in its casting.
• It's not the age of the actors that makes The Expendables expendable. It's the stale storytelling.
• The Expendables isn't as much fun as it should be.
• I's a bit like a trip to the gym on a flat tire.
• Sylvester Stallone's gun-emptying, blade-tossing, clandestine action flick 'The Expendables' is great fun. Sure, this declaration comes with caveats, but do you really need to hear them?
• As a whole, the movie, whose title dimly evokes 'They Were Expendable,' a 1945 John Ford combat picture starring John Wayne and Robert Montgomery, might more aptly be described as Bad Kurosawa, Bad Peckinpah or Bad Leone.
• The world has changed since Rambo and Arnold held sway, which isn't the film's fault. But it's going to be held accountable anyway.
• Also the Predictables, the Forgettables and they kinda look like the Anabolic Steroidables...
• If you accept The Expendables for what it is -- Stallone having some simple, stupid fun -- you may be surprised to find yourself joining him.
• Bullets, knives and bare hands fly in an incomprehensible vortex as arms and heads and body parts get thrown into the melee.
• The brain-dead male equivalent of Sex and the City 2.
• Rather than reviving the actors' 80s heyday, The Expendables only demonstrates how much action films have changed in recent years.

• San Francisco Chronicle

  8/13/2010 by Mick LaSalle

  There's no one to blame but Stallone for action sequences that degenerate into incoherence, to the point where it's impossible to know who's truck is exploding and who's shooting at whom.
• While Stallone's film won't win any Oscars, it gives off a dopey genre high that's hard not to catch.
• This is truly a movie that nobody needs -- gratuitously savage, implausible and sometimes incoherent.
• Friends may not let friends die alone, but bogus philosophizing is apparently business as usual.